Journal reflection
Royal Space Force: The Wings of Honnêamise arrived as a surprise. KC expected a space adventure and found a strange, slow-moving alternate world whose culture and relation to Earth remained difficult to place. The character story and long mundane stretches did not pull him through, though the launch, Ryuichi Sakamoto score, and extraordinary hand-drawn machinery made the film worthwhile.
- He had heard people rave about it and expected some kind of space action and adventure.
- The launch buildup and Shirotsugh's speech captured the awe of space flight, culminating in a lift-off powerful enough to stop people in the middle of a life-or-death battle.
- The animation's detailed motion and lingering close-ups of machinery kept rewarding his attention, even when he was zoning out from the story.
- The music felt amazingly emotional and driving. As a longtime Sakamoto fan, he heard this score as a strikingly different step from the electronic work he already loved.
- The slow pace itself was not the whole issue. Totoro works for him at a very slow tempo, while Shirotsugh and Riquinni's connection never gave this film enough emotional pull.
The launch gathers the film's patient attention to material detail into a rare collective image of awe. Its force does not erase KC's distance from the characters or the long intervals before it.
Memory envelope
- Had heard strong praise and expected a space-action adventure.
- The launch speech and the awe of lift-off.
- People pausing to look upward during the battle.
- Lingering close-ups of machinery and detailed motion.
- Ryuichi Sakamoto's emotional, driving score.
- The world's relation to Earth remained confusing.
- A newly articulated connection between the score and Sakamoto's electronic work.
Response fingerprint
Confirmed fixed fingerprint · 0–10 personal signals